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VHS : A One and A Two (Yi Yi) [2000]
![VHS : A One and A Two (Yi Yi) [2000]](http://ecx.images-amazon.com/images/I/414QWMVWHJL.jpg)
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Audience Rating: Suitable for 15 years and over Binding: VHS Tape EAN: 5022366104364 Format: PAL, Subtitled Label: Ica Projects Ltd. Manufacturer: Ica Projects Ltd. Number Of Discs: 1 Number Of Items: 1 Publisher: Ica Projects Ltd. Release Date: June 24, 2002 Running Time: 173 minutes Sales Rank: 9582 Studio: Ica Projects Ltd. Theatrical Release Date: June 14, 2001 |
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Editorial Review:
Amazon.co.uk Review:
A subtitled three-hour saga of an ordinary middle-class urban family in modern-day Taiwan, at first glance, A One and a Two might not seem the most appealing of prospects. But don't be misled: this is a film that draws you in with all the warmth and density of a good novel, and once you are past the surface unfamiliarity of Taipei society, there's nothing in this tale of a troubled family that would seem alien anywhere in the world.
Romantic stories often end with a wedding. Realistic stories are as likely to begin with one. Writer-director Edward Yang's film starts in a mass of floaty white dresses and heart-shaped pink balloons, but the smiles seem a little too effusive, the jollity feels forced. And sure enough, disaster is lurking. The seeming simplicity of Yang's narrative style conceals a subtle, intricate design. His camera moves obliquely, often holding its distance from the action, letting us take in all the elements of a scene and draw our own conclusions. Wider social implications--about modern society, about international business ethics--are hinted at, but never rammed home. By the end we realise we've been watching a microcosm of human life, with all its humour and tragedy. For all the apparent narrowness of its canvas, A One and a Two makes most British and American films feel hopelessly parochial. The Best Director Prize at Cannes was rarely more richly deserved.
On the DVD: A One and a Two comes to disc with a generous helping of extras. The original theatrical trailer, wordless and intriguing; numerous cast and crew biographies; a brief stills gallery; and, best of all, a full three-hour commentary track of Edward Yang in conversation with Tony Rayns, UK expert on Chinese-language cinema. Their discussion is relaxed and illuminating. The print, and the SR Dolby Digital sound, are clean and crisp, and we get the full 1.85:1 ratio of the original release. --Philip Kemp
Average Rating: 
Rating:
- PerfectionFilms like this are a rarity.Wonderful and assured direction,a absorbing script and acting which comes from the soul.This film at three hours creeps up on you and slowly takes hold but it never feels overlong or indulgent.I came away truly moved at the fact that although we are all culturally different the same problems face us all.Problems with work,familyand love.The music was wonderful too!
Rating:
- Thought-provoking masterpieceSometimes you will laugh, sometimes you will cry but it is highly unlikely that Yi Yi leaves you indifferent. The psychology of each character is described with subtle finesse and one empathises immediately with their feelings, ordeals, pettiness and motivations. You get so caught up in the story of this family that you wish the film would never end. It's a long time since I have been moved like this by a film. The photography and the music add to the perfection of this Taiwanese masterpiece.
Rating:
- Recommended for the delayed-gratification audience !A film well worth watching but requiring a lot of patience. One feels a great sense of poetry in the film-making here, although not always perfectly rendered. The music seems irritatingly trite at times and one of the plot-lines jars a little. The frequent use of long-shots and perspectives using glass windows underlines the themes of emotional distance and repression very effectively. One can read many things at many levels at these moments. But Yang does not always succeed in keeing a constant ... Read More
Rating:
- A Contemporary Insight into Taiwan, Philosophy and FamilyThe precocious star of this piece rivals 'Little Man Tate' in his appeal and innocent genius. It's difficult not to feel an wave of hope for all of humanity.
The young child, and indeed all of the characters are sympathetic people, all battling with difficulties in life, raising complex moral and philosophical issues. Lost and confused, in each a problem is pronounced, and even as the 'omniscient' viewer you come quickly to realise that the dilemmas have no answer in any term defined by right ... Read More
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